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Chimes of Freedom

Chimes of Freedom is a new 4-CD set released to benefit Amnesty International on the occasion of its 50th birthday.  4 CDs, 73 tracks, selling for $18.99 on Amazon right now.  If you buy the digital version from iTunes, it’s $19.99 and includes 3 additional tracks.  Not sure with the physical CD version but for the digital one, $11.90 out of the $19.99 is donated to Amnesty.

The disc is a multi-generational, multi-genre tribute to the songs of Bob Dylan.  It is quite obviously one of many albums over the years that highlights Dylan the songwriter, the universality of his themes, melodies and of course lyrics.

If you look down the list of tracks and performers, you’ll see many names you know – including a few that might make you go WTF? – as well as some you don’t.  Here’s just a partial list of who appears on this album, it’s pretty impressive:

Johnny Cash, Patti Smith, Pete Townshend, Bettye LaVette, Diana Krall, Ziggy Marley, Gaslight Anthem, Sting, Mark Knopfler, Lenny Kravitz, Miley Cyrus (!), Billy Bragg, Elvis Costello, Jackson Browne, Joan Baez, Adele, Pajama Club & Neil Finn, Bryan Ferry, Carly Simon, Joe Perry, My Chemical Romance, Nils Lofgren & Paul Rodgers, Sinead O’Connor, Ke$ha, Kronos Quartet, Maroon 5, Jeff Beck & Seal, Taj Mahal, Mick Hucknall, Dave Matthews Band, Lucinda Williams, Kris Kristofferson, Eric Burdon, Marianne Faithfull, Pete Seeger and one track from Mr. Dylan his own self.  The 3 bonus tracks are from Outernational, Silverstein, Daniel Bedingfield.

Haven’t had a chance to hear it yet and I’m sure some artists will fare better than others but I figure it’s for a worthy cause and worth supporting.

By the way, due out next week is Old Ideas from Leonard Cohen.  It’s his first album of new material in 8 years. I’ve heard it – it does not disappoint.

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They say (whoever they are) that the third Monday of January is the most depressing day of the year.  Something about post-holiday blahs and, I’m guessing, usually pretty shitty weather (in the Northern hemisphere at least).  I don’t know if they’re right.

There’s no shortage of songs written about Monday.  Blue Monday.  Stormy Monday. I Don’t Like Mondays.  Monday, Monday.  Manic Monday.  Rainy Days and Mondays.  (Of course there was also a band called Happy Mondays, a damned good band at that, and I guess their name was meant sarcastically.)

Sweet Tuesday Morning.  Tuesday’s Dead. Tuesday’s Gone. Tuesday Afternoon.  Ruby Tuesday.

Wednesday Night Prayer Meeting. Wednesday Week. Wednesday Morning 3 AM.

Thursday’s Child.  (Thursday) Here’s Why I Did Not Go to Work Today. The group Sweet Thursday that featured Nicky Hopkins.

Friday I’m in Love. Friday On My Mind. Love You Till Friday. Black Friday.

Saturday Night. Met You on a Saturday. One More Saturday Night. Saturday in the Park. 10:15 Saturday Night. Almost Saturday Night. Drive In Saturday. Saturday Night’s Alright for Fighting. Saturday Afternoon. Treat Me Like a Saturday Night. Book of Saturday. Saturday Come Slow. The Saturday Kids. Baron Saturday. Looking For the Heart of Saturday Night. Saturday Night in the City of the Dead.

Just Another Sunday. Sunday Girl. Sunday Sunday. Blue Sunday. Sunday’s Best. Sunday Kind of Love.  Young Girl Sunday Blues. Sunday Morning Coming Down. My Sunday Feeling. Sunday Papers. Sunday Bloody Sunday. I Met Him on a Sunday. Pleasant Valley Sunday. Lazy Sunday. Lazing on a Sunday Afternoon. Sunday Street. Sunday Will Never Be the Same. Everyday is Like Sunday.

And many more.

All’s I’m saying is I’m feeling pretty crappy for a Tuesday.

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My first musical pick for 2012 is singer Lana Del Rey. After reading about her in various blogs, I decided to check her out via Youtube – her Born to Die video has had over 11 million views in one month.

 

I was expecting a Lady Gaga/Britney Spears clone but instead I found a 25 year old woman with Mick Jagger lips and a soulful voice smoldering her way through a track that, well, I like.  Her lyrics fall into a grey area between cliche and promising.

Come and take a walk on the wild side
Let me kiss you hard in the pouring rain
You like your girls insane
Choose your last words,
This is the last time
Cause you and I
We were born to die

Video Games, which came out in October, has also done quite well on the internet, but nowhere near as well as Born to Die, getting “just” 1.7 million views in 3 months.  Lyrically, it covers similar ground, with the same strengths and weaknesses, but at least it indicates a consist approach.

It’s you, it’s you, it’s all for you
Everything I do, I tell you all the time
Heaven is a place on earth with you
Tell me all the things you want to do
I heard that you like the bad girls
Honey, is that true? It’s better than I ever even knew
They say that the world was built for two
Only worth living if somebody is loving you
Baby, now you do

Her album (her second, her first sank without a trace two years ago) comes out in a week or so and should do well.  This past weekend should have been her triumphant moment because she became one of very few singers to appear on SNL without an album available.  And she blew it.  She stank up the place.  She’s now famous for having possibly the worst musical performances in SNL’s history.  She was clearly nervous, noticeably off-key multiple times and just plain bad.

NYC newspaper Newsday reviewed the performance by writing that she was “so awful that it could easily have been a Kristen Wiig skit, maybe one where she impersonates a Fiona Apple wannabe.”  Over on Twitter, actress Juliette Lewis got more attention than she has in years by tweeting, “Wow watching this ‘singer’ on SNL is like watching a 12 yearold in their bedroom when they’re pretending to sing and perform. #signofourtimes.”

Spin got it right, I think. “All the attention will only help sales of her debut album Born to Die when it comes out on January 30. … a bunch of casual music fans who tuned in hoping to see Harry Potter star Daniel Radcliffe got exposed to a couple of catchy-enough songs they might end up wanting to own on disc, and here the rest of us are talking about both SNL and Del Rey. Social networking didn’t change the old rule that all publicity is good publicity.”  Hit the Spin link to see videos of her performing her two songs on SNL (the videos are hosted on Hulu but seem to be working for me without use of a proxy).

One performance, even a relatively visible televised one, will not kill a career.  I think the lady’s gonna be a star.

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Chris B Photoshoot

Oh, before I take off, just wanted to share with you some photos from a photo shoot I did this weekend with Chris B, the musician and tireless promoter of indie music in Hong Kong via Underground, GBOB and other great work.  Here’s a sample shot:

To see the full-sized version of this photo and many more, click on over to Spike’s Photos.

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Favorite Albums of 2011

(Note – I was planning to do a more elaborate post here, with album covers and Amazon links and all that razzamatazz but I ran out of time.  I’m heading to Vietnam in 2 days so it’s either post now or not post at all.)

This is the year that I finally got religious about making sure I had the year of release for stuff in iTunes, just so at the end of the year I could look back and come up with lists like this.  This is also the year that I didn’t have that much time to listen to music.  This is the first year of my life that I ended up spending more time on old faves than developing new faves. Maybe I’m getting old.  Anyway, this isn’t a ten best list but it is the albums that made the deepest impressions on me; the ones I’ve played more than once and will go back to again.

Adele – 21 – This album hit me from the first song, the first play, I knew it was great and everyone I played it to had the same instant reaction.  It was so good, I didn’t expect it to have the massive success it did but it’s well deserved.  My gf is playing this one non-stop and it’s one of the few albums she’s latched onto that doesn’t make me wince each time I hear it.

Bjork – Biophilia – Sorry, I just don’t get this one.  I tried it twice and I won’t say it was painful each time but I just don’t get it.

The Black Keys – El Camino – I confess that I never much cared for these guys despite all the critical praise.  That whole guitar/drum/no bass thing just throws me, just as it did with White Stripes.  But this album is great – maybe they’ve changed, maybe it’s me, but I’m ready for them now and really enjoy this.  Each time I play it, it gets better.

Charles Bradley – No Time For Dreaming – So wait, this guy is 62 years old and this is his debut album?  It’s classic 60s soul coming from a singer who throws everything he’s got not just into every song but into every line and phrase.  I think this comes from the same people who bring us Sharon Jones and the Dap-Kings.

Coldplay – Mylo Xyloto – On many levels I think it’s unfortunate that a whiny pop band seems to be the standard bearer for rock music in 2011.  But I give them credit for trying to shake up their sound and move forward at least on some tracks.  I wanted to hate this but I couldn’t.

Danger Mouse & Daniele Luppi – Rome – Danger Mouse seems to be the only one out there who changes so much from release to release, who can continue to surprise (aside from Neil Young, I guess) and this is a lovely and unexpected treat, a tribute to Italian movie soundtracks of the 60s.

Elbow – Build a Rocket Boys – Amongst all the shoe-gazer type bands currently popular in England, this one has the songs that are most anthemic.

Frank Zappa – Carnegie Hall – The releases from Zappa’s vaults don’t seem to get much attention.  This 4 CD set from the Flo & Eddie era features fine versions of many of my favorite Zappa songs.  Hearing them do it live yet again, after not listening to this material for a long time, it continues to impress.

Gregg Allman – Low Country Blues – Maybe not a 5 star album but certainly the best work Allman has done in decades.

Joe Bonamassa – Dust Bowl – He’s been around for awhile but this is the first time I’ve listened to him and I liked what I heard.  A blues guitarist a bit more influenced by the pumped up hyped up British blooze of the 70s and 80s, but he’s got the chops.

John Hiatt – Dirty Jeans and Mudslide Hymns – One of our finest songwriters and singers, actually I just about gave up on him after hearing his last album.  This is a great return to form that ranks up there with his best work.

Johnny Winter – Roots – all-but-forgotten blues guys doing albums covering standards seems to have been a trend this year and to my ears this was the most successful of that pack.  I haven’t listened to Winter in decades and while he never strays far from the popular arrangements of these songs that you all know (or should know), here’s a man who knows how to play.

Kate Bush – 50 Words For Snow – I need to listen to this more.  After a long silence, this year brought us Director’s Cut and now this and my initial listens tell me this is splendid and weird and timeless.

Lady Gaga – Born This Way – I like Lady Gaga, I really do.  But I didn’t care for this album, despite its massive popularity.  Musically she’s treading water though I applaud her politics and ability to control her image.

Levon Helm – Ramble at the Ryman – A live set with a huge number of guest stars, this is the feel good album of the year.  I always skip over the Sheryl Crow songs though.

Lonely Island – Turtleneck and Chain – These guys just crack me up.  Mostly it’s the videos – the songs are okay taken on their own but the videos really elevate them.

Nick Lowe – The Old Magic – Lowe’s songs are so deceptively straight-forward that you wonder why everyone else doesn’t do records like this.  And then the answer comes – very few possess his talent, craftsmanship and dedication.

Noel Gallagher’s High Flying Birds – Simply not sucking would have been enough; it’s actually quite okay.

Original Broadway Cast – Book of Mormon – We won’t get to see this in Hong Kong until the movie comes out in a few years.  Till then all we can do is listen to the album, laugh and think about how these guys manage to take such traditional forms and warp them so deliciously.

Paul Simon – So Beautiful or So What – I love Paul Simon and some people love this album but for me it was more “so what?”

P.J. Harvey – Let England Shake – Another massively successful album that I simply don’t understand.

Robbie Robertson – How to Become Clairvoyant – wow, two albums from former Band members make my list 35 years after The Band broke up.  I’ve sort of never forgiven Robertson for not singing like Helm and I’ve never enjoyed his solo albums – until this one, which features some fine songs and even finer playing.

Ry Cooder – Pull Up Some Dust and Sit Down – As a huge fan of Cooder’s 70s output, albums like Into the Purple Valley and Paradise and Lunch, I was thrilled to see him revisit that kind of territory all these years later.  The album sounds 100 years old and yet is as topical as the morning’s newspaper.  Maybe my pick for album of the year. (Need to listen to Kate Bush more.)

The Tedeschi Trucks Band – Revelator – Wow.  Husband and wife finally record together and come up with a winner.  Again, it’s got a sort of 70s nostalgia feel to it so maybe that’s why I find is so appealing.

Tom Waits – Bad As Me – Waits has always been a great songwriter and performer but sometimes his albums can be challenging.  No one will mistake this album for Top 40 material yet it’s his most consistently accessible work of the past 30 years.

Wilco – The Whole Love – Another album of the year candidate for me, this is perhaps the album that I’ve played most often the past few months.

Further investigation (stuff I’ve listened to once, really like, need to hear more of):

The Boxer Rebellion – The Cold Still

Dawes – Nothing is Wrong

Frank Ocean – nostalgia, ULTRA

Yuck – Yuck

The Joy Formidable – The Big Roar

The Weeknd (not a typo) – House of Balloons

Fred Eaglesmith – 6 Volts

Drake – Take Care

The Roots – Undun

Reissues – The year we went from Deluxe Editions to Super Deluxe Editions; the year that record companies figured out how to get (some of) us to spend $150 buying albums we already own.

Beach Boys – Smile – Finally the original stuff, as close to finished as it’s ever going to be, a 2 CD version for most people and a mega huge (but lovely) boxed set for diehards like me.

U2 – Achtung Baby – The Super Deluxe Edition expands from one CD to 6 CDs and 4 DVDs.  (There’s also an Uber Deluxe edition selling for well over $500.)  Yet, all this sprawl brings things into clearer focus, which is exactly what something like this is supposed to do.

The Who – Quadrophenia – A little disappointed in the “Director’s Cut” edition – beautiful book, 2 CDs of bonus tracks (Townshend’s demo version of the entire album including songs that didn’t make it) yet greedy bastard that I am, I wanted even more.

Miles Davis – Live in Europe 1967 – not a reissue, a legit release of stuff that’s been circulating on bootlegs for more than 40 years.  Incendiary playing.

Willie Dixon – Blues A Dixon – even better than the Chess Box, which I guess is around 20 years old now or more, 3 discs, 65 songs, a history of the most important songwriter in the history of blues, one third of the tracks his versions, the rest covers ranging from Howlin’ Wolf and Muddy Waters to the Rolling Stones, Jeff Beck, Mose Allison, The Animals, Derek & the Dominos, John Mayall, so many more.

I’m sure there’s stuff I’ve left out.

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My Label is Gouging You

I was planning to do a post on some of the super-deluxe boxed sets coming out right now – haven’t had a chance to do it up yet.  But as I was searching for what’s available, checking what I might have missed, I came across this thing for Elvis Costello on Amazon.  Now I’ve been an Elvis Costello fan from his very first single on Stiff to the present day.  This one made my eyes pop out, and not in a good way.

It’s a Super Deluxe Edition of his new The Return of the Spectacular Spinning Songbook album, released in the US by Hip-O (at one point the company in the Universal umbrella specializing in reissues done with extra loving care aimed at people who really care about music).  It has 1 CD and 1 DVD and 1 10″ vinyl record.  You also get a hardcover book, a “tour diary,” a poster, a postcard and a “special commemoration card” signed by ole Declan himself.  Sweet.  Except for one thing.

It’s selling on Amazon for US$202.66!!!  (When I spotted it a couple of days ago, it was closer to US$250.)  Given that the Super Deluxe Edition of U2′s Achtung Baby, which is 6 CDs and 4 DVDs, sells for around $125, I’d expect that if I buy this then Mrs. Costello (aka Diana Krall) should deliver it to my house in person and perform at least 3 unspeakable acts upon my body.  But I don’t see any mention of that on Amazon so I expect I’m going to pass.

Then today at BoingBoing I found a link back to Elvis’s own web site where he writes:

Unfortunately, we at www.elviscostello.com find ourselves unable to recommend this lovely item to you as the price appears to be either a misprint or a satire.

All our attempts to have this number revised have been fruitless but rather than detain you with tedious arguments about morality, panache and book-keeping – when there are really bigger fish to filet these days – we are taking the following unusual step.

If you should really want to buy something special for your loved one at this time of seasonal giving, we can whole-heartedly recommend, “Ambassador Of Jazz” – a cute little imitation suitcase, covered in travel stickers and embossed with the name “Satchmo” but more importantly containing TEN re-mastered albums by one of the most beautiful and loving revolutionaries who ever lived – Louis Armstrong.

The box should be available for under one hundred and fifty American dollars and includes a number of other tricks and treats. Frankly, the music is vastly superior.

If on the other hand you should still want to hear and view the component parts of the above mentioned elaborate hoax, then those items will be available separately at a more affordable price in the New Year, assuming that you have not already obtained them by more unconventional means.

That’s right, Elvis his own self is recommending that you spend your money on a Louis Armstrong boxed set rather than his own album.  Is this all a bit too disingenuous though?  Shouldn’t Elvis (or his management) have inquired about the details of this box before Elvis sat down and scribbled his name across 1500 bits of paper?  (Presuming that’s what he did.)  Or has this just been latched onto as a way to gain a bit of viral publicity about his upcoming release?

(BTW, I did get the super deluxe “director’s cut” edition of The Who’s Quadrophenia today and a lovely thing it is indeed, so far second only to the Beach Boys’ Smile set which is a freaking work of art.)

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Moogy Klingman, R.I.P.

Damn, just read that Moogy died, only 61 years old.  Shit.

I know, most of you have no idea who Mark “Moogy” Klingman was.  As a musician, he was the original keyboard player in Todd Rundgren’s Utopia and played on 10 of Todd’s albums.  As a songwriter, he co-wrote “You’ve Got to Have Friends” (Bette Midler’s signature song once upon a time) and wrote “Dust in the Wind” (on Todd’s Something/Anything album) among others.  As a producer, he worked with Midler and Eric Clapton.  He had one or two solo albums on major labels that I really enjoyed even though I don’t think they ever sold more than 50 copies or so.  He was, in short, one of those journeymen rockers who devote their life to the art not for success or fame but for the pure love of it.

I knew him back in the early 80s when he had his own audio/video studio in New York and I worked out of there from time to time, doing odd bits of audio engineering and video editing for him and occasionally for myself.  He was a great guy.  I’m sorry he never became as big a star as I thought he’d be and I’m sorry he’s gone so young.

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Sometimes I come across an album cover or song title that just seems too good to resist.  But then I don’t wanna listen to the record and have my fantasies possibly destroyed.  This could be another one like that.

The artiste goes by the name of Johnny Foreigner.  The album is titled “Johnny Foreigner Vs. Everything.”  That’s already intriguing.  The title of the first song is, “If I’m the Most Famous Boy You’ve Fucked, Then Honey, Yr In Trouble.”

I mean, really, do I even have to listen to it?  The title alone makes my day.

 

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“It’s not really designed for people who like music. It sounds like what it is: an elderly misanthrope reciting paradoxical aphorisms over a collection of repetitive, adrenalized sludge licks. Anyone who tries to suggest it’s surprising in any way needs to reexamine his or her propensity for being surprised.”  Further on he writes, “But the rest of Lulu is as appalling as logic demands. If the Red Hot Chili Peppers acoustically covered the 12 worst Primus songs for Starbucks, it would still be (slightly) better than this.”

Full review here.  I haven’t listened to it yet; maybe not gonna rush.  (Chuck Klosterman’s now a regular contributor to Grantland, a web site that is mostly sports writing but for some reason is also about music.)

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I know who B.o.B is.  Well, I’ve heard the name, but never heard him.  Then somewhere got this link to his latest video, Fucked Up, shot in Hong Kong.  And it’s a good one.  Check it out.

 

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