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Reading About Food

Do people in Hong Kong know about Lucky Peach?  It’s a quarterly food journal published by McSweeney’s and co-edited by David Chang (of NYC’s Momofuku empire).  It’s a literary journal, with recipes.  Issue number one came out last summer and was mostly devoted to ramen.  It includes “Mediocrity,” a conversation between Chang, Anthony Bourdain and WD50′s Wylie Dufresne, sitting around in a bar in San Sebastian, Spain.  And “Harold McGee in Outre Space.”

Issue #2 came out recently and my copy will be arriving this week via Amazon.

Something else that I just ordered is called Notes From a Kitchen.  The first thing to know about this is that it comes in two volumes, is 932 pages long and weighs 15 pounds.

Provocative artist, filmmaker and photographer Jeff Scott and chef Blake Beshore bring you the re-envisioning of the modern American cookbook. Notes from a Kitchen redefines the cookbook genre in a spectacular two-volume, 900 page cloth-covered collection that feels more like a beautiful museum artifact and private chef’s journal than a traditional cookbook.

This beautifully-crafted collection explores today’s most exciting young chefs in their kitchens and in personal conversation. Featuring over 1,000 vibrant color photographs, uniquely edited documentary film footage and private journals, this new form of modern cookbook studies the unique artistry that surrounds their emotional craft.

How do you get documentary film footage on the printed page?  I have no idea.  Huffington Post says it “redefines the cookbook” and has images of some of the pages.

Interestingly enough, they raised the money to publish this book via a Kickstarter project.  At Kickstarter, they describe it this way:

Notes from a Kitchen is the first book ever produced, which accurately portrays the daily creative lives of world-renowned chefs in a strikingly visual and narrative format. Never before has a cookbook focused more intently on who a chef really is as a person and why they place their culinary passion before almost everything else in their lives. This revolutionary cookbook reveals firsthand the daily journey inside a chef’s culinary obsession.

Kind of an unfortunate use of a comma in that first sentence, eh?  Anyway, it’s released on December 10th.

Artist, photographer and director Jeff Scott and chef Blake Beshore have teamed up to produce this inventive two-volume compilation, changing form and function and transforming how cookbooks are utilized today. We want to produce a book that is accessible to foodies, while also stimulating the culinary passions of working chefs, sous chefs, line cooks, servers, culinary students and avid home cooks.  Our intent is to focus on the authenticity of the craft and not on the hype. This reinvention of the modern cookbook is a one-of-a-kind culinary experience.

I’ve pre-ordered one already.

 

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I’ve just finished reading Walter Isaacson’s authorized biography of Steve Jobs.  It’s not the first book written about Jobs and I’m sure it won’t be the last.  Not having read any of the other books on Jobs, I can’t compare it with the others that are out there.  Clearly Isaacson, whose output includes a very well-received bio on Einstein, has an advantage because he had access to Jobs himself, as well as Jobs’ family, friends and professional associates.

First of all, I’d say that the book is even-handed.  It makes the point, repeatedly in fact, that Jobs wasn’t much of a human being.  Prone to temper tantrums, fits and crying at work as well as at home, when given a choice he’d generally go for the jugular, trying (and often succeeding) to humiliate those around him who did not live up to his standards.  I didn’t know him, I wasn’t likely to ever meet him and after reading the book I don’t feel any loss for not having known him.

But that’s okay.  He was human.  Everyone has their flaws.  And almost everyone who achieved something deemed “great” by society seems to have had more than their share of them.  Many of the great artists and creators were, to one extent or another, monsters as human beings.  Not only is it a part of who they are, it goes without saying that they wouldn’t have hit the same heights if they didn’t have those flaws.  I know this firsthand, having once worked for Stanley Kubrick.  No, I’m not saying he was a monster, not by any means.  But after talking with him briefly on more than one occasion and, more importantly, having heard dozens of stories from people who worked with him for ages, I know he loved “humanity” but had little use for people, outside of a chosen few.  Kubrick and Jobs shared one key trait: an almost fanatical attention to detail.

So the second half of Isaacson’s book is about how that attention to detail paid off.  It progresses through most of Apple’s product line – here’s how the iPhone was developed, here’s how the iPad was made, etc.  If this sort of thing is interesting to you, then you’ll love this, because here the pay-off is extensive quotes from Jobs and associates on what the inner circle was thinking, the battles that took place, how the product developed over time.  There’s a level of detail here that you won’t find in most other accounts of these products and I found this stuff fascinating.

It’s so well done that I’m thinking about going out and buying copies of this book to give to the managers who report to me at work.  The lessons here are that the little things do indeed matter and that success comes from intense focus on the customer experience.  I think there’s a lot in the book that I can actually use on a daily basis at work and I’m hoping that at least some of the people who work with me would have the same reaction.  Whatever else one might think of Steve Jobs, you have to credit him for coming into a company that was 90 days from shutting down and within a period of 14 years turning it into one of the highest valued companies in the world – and it wasn’t just the capitalization value or the billions of dollars in the bank, it’s also the way that Apple consistently leads in every consumer satisfaction survey.

I think the clearest evidence of that customer focus and what the lack of it can mean comes in the stories around the creation of the iPod and the comparison to Sony.  Sony was the consumer electronics giant.  They created the Walkman, a truly revolutionary product in its time.  Plus Sony owns Columbia Pictures and the Columbia record company.  They could have done the same end-to-end thing that Apple did, but they didn’t.  The reasons are obvious now, as they should have been at the time.  When creating digital devices, Sony spent about no time on what the consumer might have wanted and put all their focus on protecting each of their silo’d divisions.  The result was one failure after another and Apple came along and ate their lunch.

I can remember back to the early days of the iPod – not so long ago and yet it seems like decades.  I’d already owned two other MP3 players, one from some Korean company and then I think one from Creative.  They both did the job and yet they both sucked.  When the iPod came out, it was a Mac-only device.  I kept bookmarking sites that gave instructions on how to hack the iPod to make it work with Windows.  Then an authorized Windows version came out, using 3rd party software called MusicMatch and that’s when I finally bought one.  From day one, it was a joy to use and it only got better when iTunes was finally ported to Windows.  I had no second thoughts about trashing MusicMatch at that point.  Today I think that iTunes is approaching bloatware.  I appreciate the fact that I only need one piece of software to be the hub for all my mobile devices and a lot of what I do at home.  But I hate its restrictions on video formats and the software crashes on me on an almost daily basis.  (Maybe it would be different if I was running it on a Mac?)

Of course there are also plenty of comparisons with Microsoft.  We get to hear from Jobs about Gates and Microsoft, we get to hear from Gates as well.  We’re flies on the wall when Gates and Jobs meet for the final time at Jobs’ home.  It’s an extraordinary chapter.

Jobs understood that the hackers who liked to take things apart and put them back together in different ways represented just a small portion of society.  Most people don’t want to jump through hoops of fire to get stuff to work, they just want it to work.  And mostly, Apple stuff does work and works well.

One could argue about the virtues of open systems vs. closed ones.  Isaacson does in the book.  He presents both sides and of course he basically agrees with Apple’s approach.  But this is one of the technical things he glosses over to some extent.  This is not Isaacson’s forte and it shows.  Something similar shows in the discussion around “antenna-gate.”  Yes, it was a typical example of Jobs’ famous reality distortion field at work and yes, it was way overblown by the media and Apple’s response to it was something that will be taught in business and marketing schools as an example of how to do things right, yet I felt something was missing here, without being quite able to put my finger on it.

Towards the end of the book, we get the Apple stock scandal (Jobs is shown as being greedy but blameless) and far greater detail about the progression of the cancer and its effects on Jobs.  About the liver transplant.  About the tremendous weight loss and the almost constant pain he suffered in his final days.  I don’t think anyone will do a better job of describing this than Isaacson has done.  At the end, Jobs takes greatest pride in building what he hopes is a company that can thrive after his death, much like HP or Intel, and yet in typical fashion he gets upset when Tim Cook says essentially the same thing to the press.

So it comes down to this for me.  When Jobs died, some treated it like the passing of a demi-god.  And then came the inevitable backlash.  ”He was a billionaire who did no charitable work.”  That part is certainly true.  He actually seems to sneer at all of Gates’ charitable endeavors.  There’s no defense for this and Isaacson doesn’t attempt one.  It’s mentioned in the book but never really addressed.  ”He invented nothing.”  That part I can’t agree with.  He was the conceptualizer, he was the refiner, and not one of the Apple products that we know and take for granted today would have been the same without him.  I give him full marks here.  I think he had vision and passion and it shows in everything that bears the Apple name.

Where will Apple be without him?  Only time will tell.

 

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Just a heads up to all you beatniks and hipsters out there that there’s now an “enhanced” edition of Jack Kerouac’s immortal On the Road as an iPad app.  (The link is to the US iTunes store.)   I know what you cynics are thinking, I was thinking that too, and then I saw what you get when you buy this:

With the complete text of the original 1957 novel at its heart, this digital edition has been curated by Penguin editors, the Kerouac estate, and Beat scholars and includes a set of spectacular features that immerse readers in the book’s backstory and legacy—making for a truly unique literary encounter.

Rare and Never-Before-Seen Material

  • Prized family photographs from Kerouac’s estate, many published here for the first time
  • Exclusive audio clips of Kerouac himself reading three excerpts from an early draft
  • Documentary footage of fellow Beats sharing their firsthand impressions of Kerouac and thoughts on his celebrated literary career
  • Pages from the journals Kerouac kept while on the road, with notes on the novel’s plot and structure
  • Reproductions of Kerouac’s first draft of the novel on the 120-foot scroll as well as later typescripts with corrections made by him and his editors
  • Slideshow of cover art from international editions of On the Road over the last half century
  • Extensive collection of original reviews, showing the literary community’s reaction to a major new voice
  • Tributes to Kerouac and On the Road by leading artists from John Updike to Bob Dylan

 

A Behind-the-Scenes Look at the Publication

  • Previously unreleased documents from the archives of Viking, the novel’s publisher, that contain the earliest reactions to the manuscript of On the Road and letters between Kerouac and his editors about its revision
  • Side-by-side comparisons of Kerouac’s famous original scroll draft and the published text, highlighting the editorial work that went into his masterpiece as well as the elements removed on the recommendation of Viking’s lawyers—including some of Kerouac’s most explicit treatments of sex, drug use, and other “obscenities”
  • An expert introduction to the story of the book by Beat scholar Howard Cunnell on Kerouac’s writing process and the years leading up to publication

 

An Encyclopedic Take on Kerouac and the Beats

  • Fully interactive map of the now legendary trips from 1947, 1949, and 1950 taken by Dean and Sal in the book, with historical photographs and notes on the contemporary context
  • Complete text of the 1957 edition of the novel, thoroughly annotated with biographies of the real-life Beats behind the famous characters, notes on their favorite hot spots and hangouts around the country, and explanations of cultural references
  • Gallery of new and classic photographs of all the famous Beats
  • Detailed biography with an in-depth look at Kerouac’s personal and artistic life
  • Noteworthy articles by Kerouac on his unique, innovative writing style and the philosophy of the Beat generation
  • Comprehensive list of further reading, including Kerouac’s full body of work and an extensive Beat generation bibliography

 

Additional Technical Features

  • Easy book navigation features, including text search, bookmarks, and the ability to flip pages with a tap or swipe
  • Sidebar annotations alongside the novel hide away for an uninterrupted reading experience
  • Complete app functionality in portrait and landscape orientation
  • Reproduced archival documents can be enlarged to full screen with a double tap

And of course the usual “much more.”  It’s US$12.99 and in this case I figure it’s well worth it – few books had a bigger impact on my life than this one.

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Looks even better when you see the large size image on the original site.

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An Evil Online Genius

So as near as I can figure out at this point David Thorne is Australian and a father and made a habit out of trying to get himself banned from various internet forums and then at some point started his own web site.    Okay, just looked him up on Wikipedia, where it says, “Thorne started the 27bslash6 website as a vehicle purely to annoy, as a support to trolling people on Facebook and other social networking sites under the pseudonym Tabitha Gnillort, the girl on the entry page of the site. This behavior developed a small following and the content developed from that.”   The web site went from just a few hundred hits per week to massive growth thanks to two posts resulting in “a few thousand hits a day – when the article I Wish I Had a Monkey was listed on the Bored At Work website. Following the spider drawing page being posted on Digg, the 27bslash6 server crashed after taking over half a million hits in a 24-hour period before being moved to a dedicated server. The second server crashed following Thorne’s next article, “Party in Apartment 3,” in which Thorne repeatedly RSVPs for a party he has not been invited to, before the site was moved to a third server in the US and has since continued to receive a large volume of traffic.”

Yes, it’s the dream that many of us bloggers have and of course he’s not the only one to actually find success via a web site.  And now it’s a book.  The Internet Is a Playground.  And I gotta tell ya, this book is seriously fucking funny.  This is a case where I went for the free first chapter download for the ebook from Kindle, read that first chapter (actually 2) and then had to click on “buy” right away and just kept reading.

The temptation is to type in massive sections of the book here.  As a matter of fact, I ended up reading a chapter to some friends at work, all of whom also either liked it or decided to humor me as my time at my current employer winds down.  You’re lucky, odds are you won’t have to deal with me reading to you.  You can go to his web site, read some of his stuff and then, if you like it, you’ll be happy to know there’s shitloads more of it in the book.  Do it.  Now.

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I Found a Book to Read

Okay, I’m still flu-y.   But I do want to thank all of the people who left comments with book recommendations for me.  One nice thing about Amazon’s Kindle store is the ability to download first chapters of any ebook for free and that’s what I’ve done – grabbed the first chapters of most of your recommendations.   But then, just as I was getting ready to sit down and start figuring which one of those I was going to actually buy and read through, I stumbled across a mention of this.

Conversations with Scorsese by Richard Schickel.  A series of interviews that cover each of Scorsese’s films as well as biographical stories and thoughts on other films that he loves.  This was immediately appealing to me for two reasons.

The first is that when push comes to shove, I tend to name Scorsese as my all-time favorite film director.  Okay, there will be times that I might say Kubrick or Peckinpah or Hitchcock or Bergman or Fellini or whoever it was who directed Dude Where’s My Car.  Scorsese gets the nod firstly because I saw Mean Streets when it first opened and it literally blew my mind.  The life depicted on screen, my first time seeing De Niro and Keitel, the way he used music – it was amazing.   And I also like to think that Scorsese and I have a lot in common.  We both grew up in Italian neighborhoods in New York City. We both went to NYU Film School and studied under the great Haig Manoogian. We both got our first jobs as assistant film editors at CBS Sports.  Then he edited Woodstock and went on to become possibly the greatest American film director of his generation; I didn’t.

The other reason is that when I saw the description of this book, it immediately made me think of one of my all-time favorite film books.

Francois Truffaut was, of course, a film critic before he went on to co-found French New Wave cinema and direct some motherfucking wonderful movies. Hitchcock by Truffaut is as near definitive a look at Hitchcock’s films as anyone has yet produced.  The master in conversation with the student (and future master), going into great detail on every one of Hitchcock’s films.  I’m hoping that this book will be equally definitive on its subject.

One thing is – after getting burned by the Patti Smith “Just Kids” ebook, I was a bit nervous on this one.  I did the “Click to look inside” bit on Amazon and saw that, as I guessed, there were a lot of photos interspersed within the text.  Would the ebook version also do this?  So I did the first chapter free bit, flipped through the pages quickly, saw all the photos were there, and went back and clicked on “buy.”

(A note on the Smith book.  As another commenter noted previously, shortly after I read the book and wrote the review, Amazon released a “new version” of this Kindle book, free upgrade.   So I got that and saw that it now contained a lot of pictures, just a damned shame that I couldn’t have seen them when I was originally reading the text.  There’s also a new chapter or two at the end.  So good deal.   Except I’m the kind of reader who bookmarks favorite pages and passages in almost every book that I read and when doing the upgrade, all of that was lost for this book.  To be fair, Amazon does warn in advance that this is going to happen.)

Back to Scorsese.  The Scorsese films I love are the ones pretty much everyone loves.  Mean Streets. Last Waltz.  Taxi Driver.  Raging Bull.  Goodfellas.   I’m okay with Alice Doesn’t Live Here Any More, King of Comedy, Last Temptation of Christ, New York New York, Casino.   I’m concerned that since Casino, in 1995, Scorsese hasn’t made a movie that I’ve really loved, even if there’s been some that I’ve kind of liked.  Kundun and documentaries aside, we’re looking at Bringing Out the Dead, Gangs of New York, The Aviator, The Departed, Shutter Island.  I’m kind of jazzed about the fact that Scorsese’s doing a Sinatra film but also keeping in mind how much of a huge letdown I thought Gangs of NY was.

Perhaps reading his thoughts on those films will help me see them in a different light.

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What Have You Read Lately?

I’m really stuck for a book to read.  The problem is that I don’t know my mood.  I’m in the reading doldrums, in a manner of speaking.   I’ve just finished Just Kids by Patti Smith which I liked a lot.   I’ve also just finished The Wind-Up Girl, which I thought was just okay.  I’m trying to get going on How to Live Safely in a Science Fictional Universe but it’s not really floating my boat.   I’ve read the first chapter of Moonwalking With Einstein and I don’t feel inspired to read the rest.

These days I’m looking to read more for entertainment than knowledge. I want to take my mind off things for an hour each night before I go to sleep.  I’ve been going through the NY Times best seller lists and my Amazon recommendations and nothing is standing out.  Philip K. Dick is my favorite author and I also enjoy John Le Carre and Elmore Leonard.  Everyone Loves You When You’re Dead seems enticing but there’s no e-book version yet.

So what have you read lately that you loved and recommend to friends – and why?

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I’ve just finished reading Patti Smith’s book, Just Kids, the Amazon Kindle e-book edition.  Even though I’m a huge fan of Patti’s, when the book came out the description didn’t seem that interesting to me and I didn’t go for it.  But I kept running across references to it and decided to give it a shot.   I’m glad I did – though getting the Kindle version may have been the wrong thing to do.  More on that later.

The book focuses in on the relationship between Patti and Robert Mapplethorpe, the often controversial photographer and artist.  It’s the tale of Smith leaving home in New Jersey, coming to New York without a penny in her pocket, living on the streets, meeting Robert and their lives together – at first romantic and then close friends.  It’s not a biography of Smith, per se, though it does mention her early artistic efforts, her poetry readings, how she met Lenny Kaye, how the Patti Smith Group came together.   And it’s not a biography of Mapplethorpe, though we do get to read about him gradually finding his vision.

The relationship isn’t romanticized in any way.  Smith’s prose is mostly short, sharp and direct – perhaps not what you’d expect from a poet.  She is astonishingly non-judgmental about Mapplethorpe.  She writes with no emotion about him going off at night to work as a male prostitute in Times Square, about him deciding eventually that he was gay, about the influence of S&M in his life and work (though not in their relationship).

The passages about their life when they lived in the Chelsea Hotel are inspired.  She effortlessly conjures up the scene at this landmark in the late 60s and early 70s.  She writes about meeting Jimi Hendrix, hanging out with Janis Joplin and Johnny Winter, meeting Salvador Dali, going to see the Velvet Underground at Max’s.   The funniest episode, to me, is the one about the night that Allen Ginsberg tried to pick her up at the Automat and then was crestfallen to discover that she was a she and not a he.

In other words, if these are people who interest you, the book is a great read.

However …. pricing first.   On Amazon, the hardcover edition sells for $14.33 and the paperback goes for $7.95.   The e-book is priced somewhere in the middle at $9.99.   “This price was set by the publisher,” we are informed by Amazon.  Okay, I sprang for the Kindle edition because I could get it instantly and figured that it would still be cheaper than buying it in a Hong Kong book shop.

But here’s the big problem.  Throughout the book, Smith writes about photos that she and Mapplethorpe took together and photos that he took of her.  And you want to see these photos that she’s writing about.  Except they’re not in the book.   I flipped around, I figured they had to be there somewhere.   But, no.   And finally, I got to the last page of the e-book where it says, “Some photographs not available for the electronic edition.”

Try NONE.  Only the cover photo.  It pisses me off to spend $2 more than the paperback edition and get LESS.   Basically Harper Collins came to the front door of my house, rang my doorbell and when I opened the door, they pissed on my shoes.

Now, this is partly my fault.  I knew I wanted the book so I didn’t bother to read the reviews on Amazon.  If I had, I would have seen:

Smith’s book is wonderful, yet Amazon failed to include the wonderful images included in the print edition. If they can include the cover image, what about the remaining catalog?

and

I want to point out that it is published by Ecco, which is a division of Harper Collins, because Harper Collins is no friend of e-books or the people who read them. The e-book versions of this book contain none of the beautiful images of the print version.

and other similar reviews.   I might add my review to those soon.

In summation, great book but shitty e-book.

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Woof Guide to Hong Kong

When the first edition of The Woof Guide to Hong Kong came out a year or so ago, I was happy to buy a copy for $100 when I saw that a portion of the purchase would be donated to animal welfare organizations in Hong Kong.   I knew this meant the authors’ hearts were in the right place.   I didn’t know that a second edition had recently been published until one of the authors contacted me and said he’d send me a free copy in exchange for a review.   I was happy to accept this offer because I thought the first edition had been very useful.

Simply put, there isn’t a lot of English language information available for dog owners in Hong Kong.  It’s relatively easy to find a reliable vet and a decent pet supply shop.  The domestic helper grapevine is useful for digging out further bits of info but some of my questions remained unanswered.   What beaches could I bring my dogs to, as just one example.  That last guide book  provided me with a list, and also clued me into a mega pet shop that had its own dog park where dogs could play together offleash (PetMax at HITEC in Kowloon Bay).

The second edition, again written by Caroline and Ali Bullock, expands on that first edition in two ways.  The first is by including all of the tips and suggestions that they got from readers of the first book.  The second is that the book is now called The Woof and Meow Guide to Hong Kong and now, as you might have guessed, has information for cat owners as well.

Info to be found in this book includes grooming, training, dog walkers, dog-friendly restaurants and bars, dog DNA testing, getting pets to and from Hong Kong and, as they put it in the table of contents, “everything else.”  The book includes listings with short reviews and indicates if the particular service was recommended by at least two outside sources.

The book doesn’t stop there.  It has information on how to get a pet, animal welfare groups and, most importantly, a section on pets and relevant Hong Kong laws.

That being said, it has occurred to me that this sort of thing might be more effective as a crowd-sourced, advertiser supported web site, as it would allow for a wider range of information that is constantly updated, rather than needing to wait for annual editions of the book to be published.  I note that on their web site they state, “Our new site is coming soon,” and perhaps they have something planned along these lines.

In the meantime, you can buy the book online here and right now the book is on sale, knocked down to HK$88 from the regular HK$100, and that includes free delivery.

I think this is a must-have for pet owners in Hong Kong and, honestly, had they not sent me a review copy, I would have happily paid for this.

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… but my gf’s friend’s husband has just had his first book of poems published in Hong Kong.   Smoked Pearl: Poems of Hong Kong and Beyond by Akin Jeje had its launch party yesterday.  I couldn’t attend but was the grateful recipient of an autographed copy of the book.  Published by Proverse Hong Kong, distributed by Chinese University Press of Hong Kong, the collection of poems covers a wide range of topics, from life in Hong Kong to Obama’s election.   You can find the book on Paddyfield and even in Amazon’s UK store.

While there is very little overt sexual material here, knowing my audience, I thought I’d share an excerpt from this poem from the book with you.

Suzie Redux

I know the world

Of Suzie Wong

But that's not what

They call her any more

She prefers these days

A one-word

Love handle.

OR, TIK, MERLIE, FELICIA, ANGEL

Any of the others

That grace browner seas,

To the south ...

There are other terms -

WhorebitchsluthookercuntpussyasssnatchgashLBFMskins -

A slap, a raw angry burst

and it's out the door,

Hustling, slavering for that one ... two ... five thousand,

Sweet cream, depending on the night

Girth of waist, broadness of wallet;

Sisterhood of mercy,

Only protection

From the hoods, the sharp-eyed Cantonese madams,

Greedy uniforms,

Three eyed metallic razor norms; hustle, pay up, and conform

As I said, I don’t know much about poetry, but for a measly HK$98, I think this book is well worth checking out.

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