Warning – some movie spoilers ahead.
We went to see Burn After Reading last night. I was really tired and ended up sleeping through some of the movie – not so much because I was bored, I simply sank into the big comfortable chair at the AMC Pacific Place and couldn’t help myself. I know from reading some of the reviews after watching the film that I completely missed some key scenes. I’m glad the DVD comes out in a couple of weeks so I can watch it again and see the bits I missed.
Now, the Coen Brothers are movie making gods for me, and not merely because one of them went to the same school I did at roughly the same time and it’s even possible that I knew him. Hard to tell because my freshman Intro to Filmmaking teacher encouraged us to do lots of mescaline, saying it was “essential to understanding the film experience.” So I don’t recall a lot from those two years.
Regardless, the Coens have made some films that I’ve not only enjoyed watching, I’ve enjoyed watching them over and over again, each time discovering new details, uncovering new layers, seeing something different each time. Blood Simple, Raising Arizona, Miller’s Crossing, Barton Fink, Fargo, The Big Lebowski, O Brother Where Art Thou?, The Man Who Wasn’t There, No Country for Old Men. I’ve enjoyed those films so much that I forgive them for The Hudsucker Proxy, Intolerable Cruelty and that undefendable remake of The Ladykillers.
But …. remember the end of No Country? Lots of people hated that ending – Tommy Lee Jones just sitting at a table talking, the bad guy not caught (I never read the Cormac McCarthy book so no idea how that compares).
And the end of Burn falls off the face of the earth in a completely different way. It goes along for 90 minutes or so at a very Lebowski-like pace. And then it’s two people sitting in a room going, oh, here’s what happened to this guy, here’s what happened to that guy, here’s what we should have spent another 20 minutes putting on screen but I’m just gonna talk you through it.
The final scene only works because the dialogue is between two masterful character actors – J.K. Simmons (the dad in Juno) and David Rasche (whom I mostly remember for playing the lead role in occasionally wacky TV series Sledge Hammer 20 years ago). As one reviewer put it, Simmons doesn’t have many lines but each line is a punch line – this is a guy who could read the South China Morning Post and make it funny. (Oops, perhaps it already is.)
But this is not how you end a movie. You don’t just come to a dead stop and have someone say, “oh, that character you’ve been watching and enjoying for the past hour was killed offscreen.” Granted the Coens have generally been willfully, almost gleefully bizarre, but still, come on!
Well, the Coens have four films in the works, including an adaptation of Michael Chabon’s Yiddish Policemen’s Union.
And I’ll get the DVD of Burn After Reading and decide if it’s a Lebowski Achiever or an act of Intolerable Cruelty.
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Ever since I went to the Billy Joel concert and saw the guy in front of me with a video camera, I’ve been vaguely obsessed with the notion of getting a pocket sized video camera. I didn’t need the best, just good enough for me. Figured it would be good for music, the dogs, even sitting outside a bar in Wanchai and watching the nightlife go by. Right or wrong, I didn’t believe that getting a “regular” digital camera with video capabilities would yield the results I wanted.
After reading a bunch of reviews, settled on the Sanyo HD1010. Sony has a similar sized one that features possibly better image stabilization and other features, but it only records to memory sticks (costs much more than SD cards) and I’d come across some very negative comments about video artifacts.
I knew the Sanyo listed for $6980 and that Broadway was selling it for $5980. At the Wanchai Computer Centre, the grey market version is selling for $3680. At that price, couldn’t resist.
Naturally, going out last night, the video camera was in my pocket. And it belatedly occured to me that I was going to a movie theatre with a video camera in my pocket. I was even mildly tempted to take it out and shoot a few seconds off the screen just to see how it would come out. But I managed to resist that notion ….
Anyway, the images look really nice on the camera’s 2.7 inch screen, haven’t tried hooking it to a big screen yet to see how it really looks.
But it’s the right size and relatively intuitive to use. So far I’m happy.
Hot pot dinner with friends tonight. Time to make a movie.
I read reviews