Two! Two! Two posts in one.
When I travel to Shanghai, I always book a hotel car to pick me up at the airport. The taxi stand is a free-for-all, practically a melee, and I rarely have the desire to deal with it. Maybe it’s improved in the past year or two, I don’t know.
(The last time I took a taxi from the airport, it broke down on the highway. Another taxi driver stopped to pick me up and the two drivers got into a fight and I was almost hit by a truck running to the working taxi and being chased by the first driver. I don’t need that excitement.)
This time, I was staying at the Four Seasons and my driver was a 40-something year old man named Jason. Jason spoke far more English than any Shanghai hotel driver I’ve ever had. And he was patient with what’s left of my Chinese. I mentioned to him on the ride to the hotel that I had studied putonghua for one month at Fudan University. We talked back and forth for the entire ride, in a mixture of English and Chinese. He let me smoke in the limo. He told me his English name and his Chinese name and asked me to specially request him for the return trip to the airport.
On arrival at the hotel, I had no small bills. Normally I would just apologize to the driver and run into the lobby. But I liked this guy too much to stiff him. I tipped Jason 100 RMB. He acted as if that was the largest tip he’d ever received – possibly it was. And in a city where you can get a good meal for under 10 RMB (if you know where to go), 100 will go a long way.
Now, when I leave Shanghai, I generally take a taxi to the airport, depending on the time of day and the weather. (There are no taxis to be had in Shanghai during rush hour or when it rains.) But this time, I decided to book the hotel car and requested that Jason be my driver. Of course he remembered me. And he surprised me by remembering my Chinese name.
I sat in the back seat and closed my eyes. After a short while, he woke me up. It seemed that since we were early and traffic was light, we had some extra time so he decided to take a detour. We were parked outside of the entrance to Fudan University. He thought I’d like to see it again.
(Oh yes, we made it to the airport with plenty of time to spare and Jason received another generous tip.)
Despite what you might have read or heard elsewhere, there are still some extremely nice people in Shanghai.
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Tonight I was supposed to go out but stayed in. I didn’t sleep much the night before. I was hoping to catch up on my sleep on the airplane, but was seated next to a chatty Australian bloke making his first visit to Hong Kong. He talked for most of the flight and I tried my best to answer his questions. So on getting home, I was more tired than I anticipated.
So instead of going out, I watched Darren Aronofsky’s The Fountain. I thought it had the most beautiful trailer of any movie in 2006. However, the movie really polarized audiences. In its debut at a film festival, it was booed at the end. Rotten Tomatoes scores it 50%. So it took me awhile to work up the will to watch it.
Spoilers Ahead:
Here is the plot of the movie in a nutshell. There is a research doctor named Tommy (Hugh Jackman). His beautiful and intelligent wife, Izzi (Rachel Weisz, Aronofsky’s wife), is dying from a brain tumor. She dies. He goes a little crazy. He gets better. End of story.
All accompanied by some incredibly beautiful photography (Matthew Libatique) and production design (James Chinlund).
Okay, there’s this bit that takes place in the 1500s, when Queen Isabella of Spain tells conquistador Tomas to find the tree of life in the New World and that if he does, she will be his Eve. That’s just a re-enactment on screen of the book Izzi is writing when she dies. And there’s a bit set in the far future, as Tommy and Izzi (who is now a tree) travel through the universe in a huge snow globe towards a star worshipped by the Mayans. That’s just Tommy’s subconscious, insane visions.
It’s a trifle of a story, which takes 96 minutes to tell. It attempts to be poetic, elegiac, the stuff that dreams are made of. In the hands of a far better writer, it might have added up to a lot more than it did. It’s not a complete failure but it’s far from a triumph.
In part, there isn’t a lot of chemistry between Jackman and Weisz. She’s radiant, continuing a tradition hearkening back to Ali MacGraw of looking stunningly beautiful as she’s dying from a debilitating disease. He’s grumpy, alternating shouting at people and then apologizing. The relationship is given to us in shorthand and we’re supposed to fill in the missing pieces. We’re supposed to believe that Jackman will be a better person for having gone through this and for having learned the lesson in the book that Weisz was writing, but we don’t really care for him all that much in the first place.
The basic elements are there but a lot of the important pieces are missing, merely hinted at. The result will leave some people scratching their heads, some people bored, only a very tiny few will be emotionally moved.